Monthly Archive: June 2024

Prix Benois Laureates 2024

Prix Benois de la Danse
Bolshoi Theatre (Historic Stage)
Moscow, Russia
June 25, 2024

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. Jurors, S.Zakharova, nominees, and laureates, Prix Benois 2024 © Benois Center On Tuesday evening, this year’s Prix Benois laureates were announced on the Historic Stage of the Bolshoi Theatre.
The Mariinsky Ballet’s Olesya Novikova won the prize for best female dancer for her performance as Aspiccia in La Fille du Pharaon (Marius Petipa’s version as reconstructed by Toni Candeloro). Gergő Ármin Balázsi (Hungarian National Ballet) and Artemy Belyakov (Bolshoi Ballet) shared the prize for best male dancer. Balázsi was nominated for his performance as Leon in Boris Eifman’s The Pygmalion Effect and Belyakov for his performance as Ivan IV in Yuri Grigorovich’s Ivan the Terrible. Marco Goecke was awarded the prize for best choreography in absentia for In the Dutch Mountains, a creation for the Nederlands Dans Theater.
2. O.Novikova (Mariinsky Ballet), Prix Benois 2024 © Benois Center 3. Q.Zijiao, A.Uvarov, and G.Á.Balázsi (Hungarian National Ballet); Prix Benois 2024 © Benois Center4. Q.Zijiao, A.Uvarov, and A.Belyakov (Bolshoi Ballet); Prix Benois 2024 © Benois CenterThe jury consisted of Svetlana Zakharova (artistic director of the Benois de la Danse Programme and chairwoman of the jury and prima ballerina of the Bolshoi Theatre, Russia), Yukari Saito (artistic director of The Tokyo Ballet, Japan), Qu Zijiao (artistic director and president of the Liaoning Ballet and head of the Liaoning Ballet Affiliated Ballet Dance School, China), Patrick de Bana (dancer and choreographer), Nacho Duato (choreographer and artistic director of the Mikhailovsky Ballet, St. Petersburg, Russia), Tamás Solymosi (choreographer and artistic director of the Hungarian National Ballet, Budapest), and Andrei Uvarov (former principal dancer of the Bolshoi Ballet and deputy artistic director of the Sevastopol Opera and Ballet Theater, Crimea, Russia).

6. A.Akiyama and D.Tsukamoto, “KAGUYAHIME” by J.Kanamori, Prix Benois 2024 © Benois Center5. Ensemble of the Stanislavsky Ballet, “Class-Concert” by M.Sevagin, Prix Benois 2024 © Benois CenterDuring the second half of the ceremony, the audience had the opportunity to watch excerpts of three of the nominated choreographies as well as performances by some of the nominated dancers and laureates. The Stanislavsky Ballet presented a portion of Maxim Sevagin’s Class-Concert. Akira Akiyama and Dan Tsukamoto (both from The Tokyo Ballet) introduced Jo Kanamori’s KAGUYAHIME to the Moscow audience, and Anastasia Stashkevich and Vladislav Lantratov (both from the Bolshoi Ballet) danced a duet from Yuri Possokhov’s The Queen of Spades.
7. G.Á.Balázsi and T.Melnyik, “Duett” by W.Eagling, Prix Benois 2024 © Benois Center 8. V.Lantratov and A.Stashkevich, “The Queen of Spades” by Y.Possokhov, Prix Benois 2024 © Benois CenterPrix Benois nominee, Prisca Zeisel (Mikhailovsky Ballet), danced a pas de deux from Giselle alongside her company colleague Viktor Lebedev, while the Mikhailovsky Ballet’s second nominee, Nikita Tchetverikov, presented an excerpt from his creation, Saint Petersburg – Amsterdam. The nominees from the Liaoning Ballet—Sun Huixin and Zhang Haidong—performed a duet from Patrick de Bana’s Notre Dame de Paris, the piece that won them their nomination. Ksenia Ryzhkova from the Stanislavsky Ballet also appeared in the role for which she was nominated. She danced a pas de deux of Gerda from Maxim Sevagin’s The Snow Queen alongside her company colleague Denis Dmitriev.
11. D.Dmitriev and K.Ryzhkova, “The Snow Queen” by M.Sevagin, Prix Benois 2024 © Benois Center 10. A.Belyakov and O.Novikova, “Romeo and Juliet” by L.Lavrovsky, Prix Benois 2024 © Benois Center 9. Z.Haidong and S.Huixin, “Notre Dame de Paris” by P.de Bana, Prix Benois 2024 © Benois CenterThe Hungarian nominee and laureate, Tatyjana Melnyik and Gergő Ármin Balázsi, respectively, gave Wayne Eagling’s Duett its Moscow premiere, and the two laureates, Olesya Novikova and Artemy Belyakov, combined Mariinsky and Bolshoi forces in a pas de deux from Leonid Lavrovsky’s Romeo and Juliet.

The Prix Benois program concluded with a gala concert on Wednesday.
11. Participants of the gala, Prix Benois 2024 © Benois Center

Links: Website of the Prix Benois de la Danse
Website of the Bolshoi Theatre
Website of the Hungarian National Ballet
Website of the Mariinsky Ballet
Photos: 1. Jurors, Svetlana Zakharova, nominees, and laureates, Prix Benois 2024
2. Olesya Novikova (Mariinsky Ballet), Prix Benois 2024
3. Qu Zijiao, Andrei Uvarov, and Gergő Ármin Balázsi (Hungarian National Ballet); Prix Benois 2024
4. Qu Zijiao, Andrei Uvarov, and Artemy Belyakov (Bolshoi Ballet); Prix Benois 2024
5. Ensemble of the Stanislavsky Ballet, “Class-Concert” by Maxim Sevagin, Prix Benois 2024
6. Akira Akiyama and Dan Tsukamoto, “KAGUYAHIME” by Jo Kanamori, Prix Benois 2024
7. Gergő Ármin Balázsi and Tatyjana Melnyik, “Duett” by Wayne Eagling, Prix Benois 2024
8. Vladislav Lantratov and Anastasia Stashkevich, “The Queen of Spades” by Yuri Possokhov, Prix Benois 2024
9. Zhang Haidong and Sun Huixin, “Notre Dame de Paris” by Patrick de Bana, Prix Benois 2024
10. Artemy Belyakov and Olesya Novikova, “Romeo and Juliet” by Leonid Lavrovsky, Prix Benois 2024
11. Denis Dmitriev and Ksenia Ryzhkova, “The Snow Queen” by Maxim Sevagin, Prix Benois 2024
12. Participants of the gala, Prix Benois 2024
all photos © Benois Center
Editing: Kayla Kauffman

Dancer Nominees for the Prix Benois 2024

Prix Benois de la Danse
Bolshoi Theatre (Historic Stage)
Moscow, Russia
June 2024

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. Bolshoi Theatre © D.Yusupov/Bolshoi Theatre 2. Statuette of the Prix Benois de la Danse, design by Igor Ustinov © Benois Center Thirteen dancers from eight companies are nominated for this year’s Prix Benois. Of the seven women and six men, two dance in China, Hungary, and Italy; one dances in Japan, and six in Russia. Next week, the laureates will be announced in an award ceremony at the Bolshoi Theatre, Moscow.

Here’s a short overview of the nominees in alphabetical order by company names:
(more…)

Choreographer Nominees for the Prix Benois 2024

Prix Benois de la Danse
Martin Chaix, Marco Goecke, Jo Kanamori, Yuri Possokhov, and Maxim Sevagin
Bolshoi Theatre (Historic Stage)
Moscow, Russia
June 2024

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. Bolshoi Theatre © Damir Yusupov/Bolshoi Theatre2. Statuette of the Prix Benois de la Danse, design by Igor Ustinov © Benois Center On June 25th, the Bolshoi Theatre will host the annual Prix Benois charity gala and awards ceremony. It will be followed by a gala concert on June 26th during which laureates of previous years will perform. Prizes will be awarded to the best choreographer and the best female and male dancers. Below is an overview of the five nominated choreographers in alphabetical order. A report on the nominated dancers will follow. (more…)

At a Gallop

“The Pygmalion Effect”
Hungarian National Ballet
Hungarian State Opera
Budapest, Hungary
June 01, 2024 (matinee)

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. A.Szegő (Holmes) and ensemble, “The Pygmalion Effect” by B.Eifman, Hungarian National Ballet 2024 © V.Berecz/Hungarian State Opera Boris Eifman’s The Pygmalion Effect took my breath away. The dancers of the Hungarian National Ballet whizzed through two, at times terrifically fast, acts and then appeared at the curtain call as if they had merely finished warming up. Hats off! Budapest’s audience has loved the ballet, which was created for Eifman’s home company in St. Petersburg in 2019 and has been in the Hungarian National Ballet’s repertory since June 2023. At Saturday’s matinee, the house was packed to the roof.

Greek mythology has two Pygmalions; one was the son of King Belus of Tyros, and the other is from Ovid’s Metamorphoses and was a sculptor who fell in love with his creation. This creation—a statue of a woman who was later called Galatea—subsequently came to life. Eifman took inspiration from Ovid’s Pygmalion and the so-called Pygmalion Effect, a psychological phenomenon that was observed in classrooms showing that a teacher’s anticipated judgments about students will cause them to become true. (more…)

Exemplary

“Little Corsaire”
Hungarian National Ballet Institute and Hungarian National Ballet
Eiffel Art Studios
Budapest, Hungary
May 31, 2024

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. L.Berki, Z.E.Albert, and J.É.Pollák (Odalisques), “Little Corsaire” by O.Chernakova et al., Hungarian National Ballet Institute & Hungarian National Ballet 2024 © A.Nagy/Hungarian State Opera The best way to nurture young talent and groom a new generation of dance enthusiasts is a concern for many ballet companies. The Hungarian National Ballet and its affiliated Ballet Institute have pursued an impressive strategy to address this issue. Last weekend, they premiered the third children’s production in a row, Little Corsaire, at Eiffel Art Studios. The first series of four performances gave students of various ages ample opportunities to present their skills to the public, which at this premiere consisted of family, friends, and many young children with their parents. The scenes that I observed in the atrium during the break proved that the project has yielded the desired results. Toddlers copied dance steps, and girls—already wearing tutus upon arrival—bounced about excitedly. In a corner behind the old steam locomotive (reminiscent of the venue’s historic role as Northern Railway Maintenance and Engineering Works), the young artists posed for photos with even younger admirers. Some children’s eyes were shining, and hopefully, some of those youngsters will be drawn to the ballet barre too. (more…)

Plainly, Art

“La Strada”
Prague Chamber Ballet
Vinohrady Theatre
Prague, Czech Republic
May 26, 2024

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

 1. B.Müllerová (Gelsomina), O.Neumannová and L.Muzajeva (Sisters), and M.Dorková (Mother); “La Strada” by J.Bubeníček, Prague Chamber Ballet 2024 © S.Gherciu 2. E.Zappalà (Zampano), “La Strada” by J.Bubeníček, Prague Chamber Ballet 2024 © S.GherciuIt was only a matter of time until Otto and Jiří Bubeníček were drawn back to their family legacy—the circus. Perhaps because they are identical twins, they both chose to tackle Federico Fellini’s film La Strada which, by the way, premiered seventy years ago. Yet, they didn’t work together. While Otto designed sets and costumes for Natália Horečná’s ballet La Strada (starring Alina Cojocaru, Johan Kobborg, and Mick Zeni) at Sadler’s Wells, Jiří choreographed La Strada for the Prague Chamber Ballet. I wasn’t able to watch Horečná’s version in London (I also missed Marco Goecke’s La Strada for Munich’s Gärtnerplatz Theatre in 2018) but had the chance to see Jiří’s work in Prague. He collaborated with, among others, his wife, Nadina Cojocaru, on the libretto and dramaturgy. Cojocaru was also in charge of set and costume design. (more…)

Soul Food

“Coppélia”
Czech National Ballet
The State Opera
Prague, Czech Republic
May 26, 2024 (matinee)

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. M.Svobodník (Dr. Coppélius) and ensemble, “Coppélia” by R.Hydn after A.Saint-Léon and M.Petipa, Czech National Ballet 2024 © M.Divíšek Arthur Saint-Léon’s comic ballet Coppélia premiered on May 25, 1870, at the Théâtre Impérial de l’Opéra in Paris. Two months later, on July 19th, Napoleon III declared war on Prussia. The opening night featured a military dance portraying twelve Ottoman Janissaries fencing against twelve Austrian Hussars. It concluded with a ballerina holding an olive branch heralding peace. Times were anything but auspicious during the descent of the Second French Empire, but that wasn’t reflected in the ballet. To the contrary, Léo Delibes’s vibrant score infused the comedy with a buoyant joie de vivre. Might it be a stroke of fate that now of all times, as the political landscape darkens with mind-boggling speed and social cohesion is worn down (at least in my home country, Germany), the Czech National Ballet premiered Coppélia? The Prague audience’s warm reception proved that the ballet still conveys what people are yearning for in times of crisis: togetherness, good humor, generosity, and a romance with a happy ending. (more…)