Enlightening

“American Signatures”
Vienna State Ballet & Volksoper Wien
Volksoper Wien
Vienna, Austria
May 30, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. J.Nakamura, “Interplay” by J.Robbins, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor2. G.Aime and G.Fredianelli, “Interplay” by J.Robbins, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor Of the four American choreographers included in the Vienna State Ballet’s mixed bill, American Signatures, only Jerome Robbins is well known in mainland Europe. Works by Pam Tanowitz, Lar Lubovitch, and Jessica Lang are rarely staged. Hence, I was glad to see this season’s last performance.

Robbin’s Interplay premiered in autumn 1945, shortly after World War II, as the second choreography in his oeuvre. Absolutely nothing in the piece hints at war. Instead, its eight dancers (four women and four men) portray unburdened, fun-loving youth with contagious optimism and self-assurance. A backdrop as gloriously blue as a summer sky intensifies the bright colors of the men’s shirts (with which they wear black, skintight pants and white socks) and the girls’ short dresses. Of course, they wear ponytails. The American way of living that they represent reminds me of Continue reading “Enlightening”

Reborn

“Callirhoe”
Vienna State Ballet
Vienna State Opera
Vienna, Austria
October 19, 2025 (live stream)

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. M.Young (Callirhoe) and ensemble, “Callirhoe” by A.Ratmansky, Vienna State Ballet 2025 © Vienna State Ballet/A.Taylor 2. V.Caixeta (Chaireas) and ensemble, “Callirhoe” by A.Ratmansky, Vienna State Ballet 2025 © Vienna State Ballet/A.TaylorThe title of Martin Schläpfer’s farewell choreography, Pathétique, summarized the condition of the Vienna State Ballet he left behind after five years as its artistic director. His successor, Alessandra Ferri, restructured the company. Some dancers left, and others joined, some of whom were returnees. Last weekend, she presented the first premiere under her reign, Alexei Ratmansky’s Callirhoe (which he choreographed for ABT in 2020 under the title Of Love and Rage). It felt like the rebirth of the company. I cannot remember when I last saw the Vienna State Ballet perform with such force. Congratulations! Continue reading “Reborn”

Quarrel in Hamburg

The Hamburg Ballet
Hamburg State Opera
Hamburg, Germany
June 2025

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

D.Volpi and L.Haslach rehearsing “Demian” by D.Volpi, The Hamburg Ballet 2025 © K.WestAfter John Neumeier handed over the artistic reins of the Hamburg Ballet to Demis Volpi, a smooth transition process seemed underway. Volpi, whose career as a dancer and choreographer began in Stuttgart, was artistic director of the Ballett am Rhein when Neumeier’s successor came into question. A selection committee of eleven (including Ted Brandsen, Dutch National Ballet; Tamas Detrich, Stuttgart Ballet; Brigitte Lefèvre, Paris Opera Ballet; and Ashley Wheater, Joeffrey Ballet) recommended Volpi to the Hamburg State Opera board of directors. As it happens, he was Neumeier’s desired candidate. In 2022, the then thirty-seven-year-old Volpi was unanimously elected as Hamburg Ballet’s new artistic director as of August 2024. Continue reading “Quarrel in Hamburg”

Customized

“Jane Eyre”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
December 09, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. M.Sugai (Jane Eyre), “Jane Eyre” by C.Marston, Hamburg Ballet 2023 © K.WestLast December, John Neumeier announced that his then-new “Dona Nobis Pacem” would be his last choreography for the Hamburg Ballet. I was rightfully doubtful because the eighty-four-year-old did indeed schedule the premiere of yet another new creation – Epilogue” – for July 2024. With very few exceptions, the Hamburg Ballet’s purpose has been to present its artistic director’s oeuvre. In his farewell season, he at least allocated the other premiere to a foreign choreographer, the Zurich Ballet’s new artistic director, Cathy Marston. Her “Jane Eyre” received its Hamburg debut earlier this December. It’s an adaptation of Charlotte Brontë’s eponymous 1847 novel and was created for Northern Ballet in 2016 and later developed into a big-scale production for American Ballet Theatre and the Joffrey Ballet.

In an interview printed in the program booklet, Marston reports having been surprised about the unexpected assignment by Neumeier and also hints as to why Neumeier might have chosen “Jane Eyre”. Continue reading “Customized”

Neumeier’s Call for Peace

“Dona Nobis Pacem”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
January 05, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

 1. A.Martínez (He) and L.Giesenberg (Photographer), “Dona Nobis Pacem” by J.Neumeier, Hamburg Ballet 2023 © K.West John Neumeier’s latest choreography for the Hamburg Ballet, “Dona Nobis Pacem” (“Give Us Peace”), is meant to be the crown jewel of his fiftieth season as artistic director of the company. The eighty-three-year-old Neumeier had originally intended to resign in July 2023, but chose to extend his contract for another year in order to ensure the smooth transition of his named successor Demis Volpi, currently the artistic director of the Ballett am Rhein. There are one and a half long years until then – and perhaps Neumeier will renounce his statement that “Dona Nobis Pacem” is to be his last new creation. Continue reading “Neumeier’s Call for Peace”