“I’m a supporter of talented people”

“Marco Spada”
Bolshoi Ballet
Bolshoi Theatre (Historic Stage)
Moscow, Russia
February 15, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

The Bolshoi Ballet has two choreographies by Pierre Lacotte (1932-2023) in its repertory: his recreation of Petipa’s La Fille du Pharaon (which he entrusted to no other company) and Marco Spada, a 1857 ballet d’action for the Paris Opéra by Joseph Mazilier to music by Daniel Auber, which was lost except for a few sketches and reviews. In 1981, Lacotte choreographed and staged it from scratch for the Teatro Dell’Opera di Roma with Rudolf Nureyev in the title role. Despite being peripatetic, Nureyev was so eager to participate in the production that he signed a contract on the tablecloth during a restaurant outing with Lacotte. “I, Rudolf Nureyev, guarantee that for the duration of a month I will attend daily rehearsals in Rome for the ballet Marco Spada,” he wrote.

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Believe in Miracles

“The Nutcracker. Waiting for a Miracle”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
December 29, 2025 (documentary)

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. E.Kokoreva (Marie), D.Savin (Drosselmeier), and ensemble, “The Nutcracker” by Y.Grigorovich, Bolshoi Ballet 2025 © Bolshoi Theatre/D.YusupovOf the many special moments in Yuri Grigorovich’s The Nutcracker, there’s one you shouldn’t miss: when the Christmas tree is growing, and Marie’s transformation takes place. Then you need to make a wish. At least, that’s the insiders’ tip from the Bolshoi Ballet’s artists involved in the production.

Grigorovich’s The Nutcracker premiered at the Bolshoi Theatre in 1966 and was performed for the eight hundredth time earlier in December. Perhaps that’s why the Russian Channel One broadcast a one-hour documentary about The Nutcracker at the end of December. The film outlines the plot, provides insight into the music, set, and costumes, and looks at sixty years of performance history, during which nothing changed. Numerous coaches and ballet masters guarantee that Grigorovich’s legacy is preserved and kept alive. Continue reading “Believe in Miracles”