Monthly Archive: July 2015

Only a Fairytale?

July 31, 2015

“Sleeping Beauty”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
July 25, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

Stuttgart closes this season in high spirits with several performances of Maria Haydée’s “Sleeping Beauty”. The company has every reason to be in good mood. Recently, quite some intricate issues were resolved: after years of debate about financing, the first sod for the new Cranko School building was cut a few days ago. It is scheduled to be ready for the 2018/19 season. Renovation of the Stuttgart Opera House is also pending and, though it is not yet clear where the interim stage will be located during the projected five years of construction, the management, backed by the company’s team spirit, radiates confidence. Also a tricky personnel matter – who should succeed artistic director Reid Anderson? – was solved shortly before the end of the season. (more…)

Bringing Sparkle Back to the Homeland

July 23, 2015

“Les Ballets Bubeníček” (“L’Heure Bleue”, “The Piano”)
Nové Divadlo/ J.K. Tyl-Theater
Pilsen, Czech Republic
July 18, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

Pilsen, the Czech Republic’s fourth biggest town, is located in Bohemia between Prague and Germany’s Nuremberg. First and foremost it is known for its pils, a type of pale lager beer produced there since 1842. This year Pilsen is making headlines for another reason: in addition to Belgium’s Mons, it is one of Europe’s Cultural Capitals. More than six hundred cultural events, ranging from theater performances to concerts, art exhibitions and other events are offered. The project which started in January is more than a short-lived affair, promising instead to boost the town’s popularity and fuel local cultural life for a long time to come. (more…)

Grand Finale

July 17, 2015

“Nijinsky-Gala XLI”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
July 12, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

Traditionally Hamburg Ballet’s “Ballet Days” end with a Nijinsky-Gala and traditionally John Neumeier presents an extra large format, that is five hours or more. The programs of past galas did not necessarily refer directly to Nijinsky, but this year’s prominently did. Otto Bubeníček bid his farewell as Vaslav Nijinsky in an excerpt from Neumeier’s “’Le Pavillon d’Armide” which was the center piece of the three-part evening. It was in the “Spirit of the Romantic Period”, which was the common theme of the season’s repertory. The first part offered insights into eight different ballets, the final third part was made up of excerpts from five other ballets. Neumeier never presents small snippets, instead he tends to add another pas de deux rather than cutting one. Dancers from the Houston Ballet and the National Ballet of China broadened the spectrum. Other guests were the Bolshoi Ballet’s Svetlana Zakharova and Johan Kobborg who danced with Alina Cojocaru, a permanent guest of Hamburg Ballet. As usual Neumeier in person guided the audience through the program. (more…)

“I fight for quality. That’s why many people call me difficult.”

July 11, 2015

David Dawson
Berlin, Germany
June 2015

David Dawson seems not at all complicated, when I met with him at his home base in Berlin during his summer break, rather straightforward, open and kind. In conversation, one soon notices that he is driven by a clear vision of the art he aims to create and that he channels all energy towards this goal.

London-born Dawson is a sought after choreographer, mainly working in Europe, but also abroad. He regularly creates for Semperoper Ballet Dresden and Dutch National Ballet. His choreographic language is grounded on the classical style which he explores to and beyond its limits. Both narrative and abstract ballets are his metier. We talked about his beginnings as a dancer, his career on stage and, most of all, about his choreographic work. (more…)

Missed Chances

July 7, 2015

“Peer Gynt”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
June 30, 2015

John Neumeier’s “Peer Gynt” saw the light of day in 1989. Now, twenty-six years later, he has put it thoroughly to the test with a reworked version opening Hamburg Ballet’s 41. Ballet Days, bringing back for two weeks a kaleidoscope of the season’s repertory culminating in a gala this year on July 12th.

Boiling down Henrik Ibsen’s five act play about Peer Gynt’s life into a ballet evening of tolerable duration is a master stroke per se. Neumeier cut it down to three acts plus an epilogue and managed to tell the Norwegian’s life’s journey within three hours divided by a break. The first half comprised of two acts deals with Peer’s birth and his relationship with his mother Aase, a peasant’s widow. Peer is a blowhard, a prowler and scalawag, one hardly on good terms with the neighboring peasantry. (more…)