Yearly Archive: 2022

Homage to Iván Nagy

April 30, 2022

“6th Iván Nagy International Ballet Gala”
Ballet of the Hungarian State Opera
Hungarian State Opera
Budapest, Hungary
April 23, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

Iván Nagy (1943 – 2014), a ballet dancer born and trained in Hungary, rose to stardom as a principal for the American Ballet Theatre in the 1970s. He later embarked on a second career as an artistic director – first at the Ballet de Santiago, and subsequently at the Cincinnati/New Orleans Ballet and the English National Ballet. In his final years, he returned to his homeland to support the ballet of the Hungarian State Opera as an artistic advisor. Since 2015, the company has paid tribute to him at a yearly international gala, which was canceled due to the pandemic in 2020 and 2021. (more…)

A Whole Lot

April 28, 2022

“Without Limits”
Ballet of the Hungarian State Opera
Eiffel Art Studios
Budapest, Hungary
April 23, 2022 (matinee)

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

The new triple bill from the Hungarian State Opera’s ballet company, aptly titled “Without Limits”, certainly offers a whopping amount of dance. Harald Lander’s “Études” (1948), a one-act homage to the formal classical technique, contrasts with William Forsythe’s sprightly “The Vertiginous Thrill of Exactitude” (1996). A new version of another purely classical ballet – Marius Petipa’s Paquita Grand Pas (“Paquita Suite”) – opened the program. “Without Limits” was shown at the Eiffel Art Studios, a former railway maintenance and engineering complex transformed in 2020 into the Hungarian Opera’s second stage in Budapest. The capacious, light-filled venue houses a modern 500-seat stage, rehearsal and storage space, production workshops, and an exhibition area. The toot-toot of the historic locomotive located in the foyer calls the audience back after breaks. (more…)

Great Moments

April 21, 2022

“Giselle”
Ballet Estable del Teatro Colón
Teatro Colón
Buenos Aires, Argentina
April 17, 2022 (livestream)

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

Last weekend, the Teatro Colón scored a ballet coup par excellence with two performances of “Giselle” that starred two extraordinary guest dancers: the Royal Ballet’s Natalia Osipova, and Daniel Camargo, a former principal of Stuttgart Ballet and Dutch National Ballet who played Franz in the recently released dance film “Coppelia”. The second “Giselle” was streamed live – and it felt as if Christmas and Easter had been rolled into one.

Unfazed by technical challenges, Osipova plumbed the depths of her role with stunning intensity and freshness. (more…)

Overdone

April 15, 2022

“Narrenschiff” (Ship of Fools)
Ballet of the State Theater Nuremberg
State Theater
Nuremberg, Germany
April 10, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

“Narrenschiff” (Ship of Fools), the first premiere of the season for the State Theater Nuremberg, is a double bill choreographed by the company’s artistic director Goyo Montero. It is comprised of two ensemble pieces: “Maria”, a ballad about the bible’s Maria Magdalena co-produced with the Diana Vishneva Foundation, St. Petersburg (Vishneva danced the leading role at the premiere in December; the photos below show her), and “Narrenschiff”, which gave the program its title. I saw the – for now – final performance. (more…)

Pleasureless

April 1, 2022

Nederlands Dans Theater
Forum Ludwigsburg
Ludwigsburg, Germany
March 26, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

Last weekend, the Nederlands Dans Theater (NDT I) toured Ludwigsburg near Stuttgart, performing a triple bill they’d recently premiered at the Holland Dance Festival: “Toss of a Dice” by Jiři Kylián (2005); a new piece by Spain’s Marina Mascarell (“How to cope with a sunset when the horizon has been dismantled”); and “I love you, ghosts” – newly created by the company’s associate choreographer Marco Goecke.

The poem “Un coup de dés jamais n’abolira le hasard” (“A Throw of the Dice will Never Abolish Chance” penned by Stéphane Mallarmé in 1897) was the springboard for “Toss of a Dice”. (more…)

A Hushed-Up Scandal

March 23, 2022

“Mayerling”
Ballet of the Hungarian State Opera
Hungarian State Opera
Budapest, Hungary
March 19, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

Eighteen years after its Hungarian premiere, Kenneth MacMillan’s “Mayerling” returned to the stage of Budapest’s newly renovated State Opera this March. According to a local dance critic, audience members cried while watching the 2004 performance, as the tragic 1889 death of Crown Prince Rudolf (heir to the throne of Austria-Hungary) is a chapter of Hungarian history that stirs up many emotions. Though he led a life of debauchery and primarily performed insignificant tasks in his role, the liberal-leaning Crown Prince was popular among the people. They pinned great hope on him, (more…)

Brilliant!

March 14, 2022

“Anna Karenina”
The Australian Ballet
Arts Center Melbourne / State Theatre
Melbourne, Australia
March 08, 2022 (livestream)

While western cancel culture appears to be targeting all things Russian, the Australian Ballet points the way towards cooperation. This February, a ballet about an icon of Russian culture – Tolstoy’s epic novel “Anna Karenina” – premiered in Melbourne. Co-produced with the Joffrey Ballet and decorated with the 2021 Prix Benois for best choreography, it was a prime example of the uniting power of the arts. Its US-based choreographer Yuri Possokhov was born in Luhansk / Ukraine; the composer Ilya Demutsky, a frequent collaborator of Possokhov, is Russian. Valeriy Pecheykin, an Uzbeg working at Moscow’s Gogol Center, wrote the libretto. Set and costumes are by the British designer Tom Pye. Finn Ross, also a Brit, oversaw the video projections, and US-born David Finn created the lighting. (more…)

Impromptu

March 8, 2022

“Einmalig”
(“Bliss” / “Falling Angels” / “Solo” / Excerpts from “Romeo and Juliet”, “Die Schöpfung”, and “Mayerling” )
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
March 04, 2022

Although the Stuttgart Ballet’s new all-Johan Inger triple bill was thwarted by a number of COVID-19 infections in the company, artistic director Tamas Detrich did not give in. Rather than canceling the scheduled March 4th performance, he assembled a substitute program literally overnight. From the original schedule, only Inger’s “Bliss” (2016) remained (2002’s “Out of Breath” and the recently premiered “Aurora’s Nap” were eliminated). A courageous dive into the company’s vast repertoire – short pieces by Jiří Kylián and Hans van Manen, and three excerpts from evening-length pieces – filled out the bill. (more…)

Absurd

January 20, 2022

“Liebeslieder” (“Other Dances” / “Concerto” / “Liebeslieder Walzer”)
Vienna State Ballet
Vienna State Opera
Vienna, Austria
January 14, 2022 (livestream)

The Vienna State Ballet’s new triple bill is an all-American one, combining works from staple choreographers (Robbins and Balanchine) with a short piece by Lucinda Childs, whose name is less familiar in Europe.

Robbins’s “Other Dances”, a pas de deux set to one waltz and four mazurkas by Chopin, was tailor-made for Natalia Makarova and Mikhail Baryshnikov in 1976. In Vienna, Hyo-Jung Kang and Davide Dato brought folksy playfulness to their roles as the carefree, happy-go-lucky couple. Their encounter is as lighthearted and upbeat as the light blue backdrop and the sheer blue fabric of Kang’s dress suggest (costumes by Santo Loquasto). After swaggering about with macho energy in a solo, Dato attends to Kang’s every step with buttery care. (more…)