Alexei Orohovsky – Landgraf on Dance

XV International Ballet Competition—Laureates’ Gala
Bolshoi Theatre
Moscow, Russia
July 05, 2026 (live stream)

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

After three rounds of competition in ten days, the XV International Ballet Competition’s jury awarded medals, certificates, and diplomas to 50 of 131 contestants. Due to the high standards, discussions to determine the laureates continued late into the night after the final round. A laureates’ gala concert concluded the competition.

Of the seven gold medals, three were awarded to competitors from the USA and the Republic of Korea and one to a Japanese dancer. Russian dancers received seventeen prizes, Chinese six, and Mongolians four. Western Europe wasn’t represented, and only a few dancers from Central Europe scored: the Swede Auguste Marmus (bronze medal men, duet), coryphée and, as of late, Kammertänzer of the Hungarian National Ballet, the Serb Jana Zimonjic (bronze medal women, solo), and the Slovene Vid Vogrin (silver medal boys, duet). What mattered, though, wasn’t nationality but talent. Continue reading “Stellar”

“Ballet Matinee”
John Cranko School
Stuttgart State Opera
Stuttgart, Germany
July 23, 2023

Stuttgart’s John Cranko School presented its work to the public in two matinees this July, both hosted by the Stuttgart State Opera. I chose to see the second one, which – as part of the annual Ballet in the Park program – was also streamed live to an outdoor audience in the Schlossgarten Park right in front of the opera house. Only upon arrival I learned that nearly half of the program was identical to what the school had presented in nearby Ludwigsburg this March.

As in Ludwigsburg, the students first showed an excerpt of the second act of “The Nutcracker” (Petipa, Ivanov, and Vainonen’s choreography). This time Alice McArthur danced the Sugar Plum Fairy, and in the role of her cavalier was again Joshua Nunamaker. Both are among this year’s graduates and exemplify what I observed throughout the matinee: Cranko School students deliver precise positions, clean lines, strong jumps, clear accentuation, solid balances, and – above all – they are fearless. Not a single student failed to rise to the occasion (I admired, above all, Keisuke Miyazaki in his “Swan Lake” variation and Alexei Orohovsky in a variation from “Paquita”). Continue reading “Respectable”