Growing From Solid Roots

“Miniatures”
Les Ballets de Monte Carlo
Salle Garnier Opéra de Monte-Carlo
Monte-Carlo, Monaco
April 18, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. Ensemble, “Résonances” by J.-C.Maillot, Les Ballets de Monte-Carlo 2026 © A.BlangeroLes Ballets de Monte-Carlo’s recent premiere, Miniatures, takes up the 2004 project of the same title. Back then, Bruno Mantovani, artistic director of the festival Printemps des Arts de Monte-Carlo and director of the Ensemble Orchestral Contemporain, challenged Le Ballets de Monte-Carlo’s artistic director, Jean-Christophe Maillot, with seven contemporary compositions. Each of them represented another mindscape; none was written for dance, and Maillot was tasked with choreographies. He was successful. Mantovani threw four new compositions commissioned for this year’s festival into the ring (and also played them with the Ensemble Orchestral Contemporain during the run of the program), which former and current dancers of the company put into dance. Two of Maillot’s 2004 works complemented the ninety-minute program. Continue reading “Growing From Solid Roots”

Soft Wrapping – Crisp Core

“Soirée 3 Choréographes” (“Claude Pascal” / “Casi Casa” / “Back on Track 61”)
Les Ballets de Monte Carlo
Salle des Princes, Grimaldi Forum
Monte Carlo, Monaco
July 16, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. L.Beyne (Marie-Claire), A.Reist (Pierre-Marie), A.Maksakov (Jean-Pascale), and G.Riou (Marie-Claude), “Claude Pascal” by J.Kylián, Les Ballets de Monte Carlo 2022 © A.BlangeroLes Ballet de Monte Carlo’s recent triple bill combines a new piece by the company’s artistic director Jean-Christophe Maillot (“Back on Track 61”) with Jiří Kylián’s “Claude Pascal” (2002) and Mats Ek’s “Casi Casa” (2009).

“Claude Pascal” is a misleading title, as no one in Kylián’s black-and-white-hued piece is so named. There’s Marie-Claire (Lou Beyne), a grand dame with a Russian accent and a fan collection; the childish Marie-Claude (Gaëlle Riou), who plays rock n’ roll on her tennis racket; Jean-Pascale (Artjom Maksakov), wielding a walking cane and talking about hair loss and grief-stuffed pants (…); and the athletically-inclined Pierre-Marie (Adam Reist), who recites an excerpt from Bram Stoker’s “Dracula” on the life expectancies of turtles, elephants, parrots, frogs, and fakirs. All four are time travelers from 1890(ish) – Continue reading “Soft Wrapping – Crisp Core”