Enlightening

“American Signatures”
Vienna State Ballet & Volksoper Wien
Volksoper Wien
Vienna, Austria
May 30, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. J.Nakamura, “Interplay” by J.Robbins, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor2. G.Aime and G.Fredianelli, “Interplay” by J.Robbins, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor Of the four American choreographers included in the Vienna State Ballet’s mixed bill, American Signatures, only Jerome Robbins is well known in mainland Europe. Works by Pam Tanowitz, Lar Lubovitch, and Jessica Lang are rarely staged. Hence, I was glad to see this season’s last performance.

Robbin’s Interplay premiered in autumn 1945, shortly after World War II, as the second choreography in his oeuvre. Absolutely nothing in the piece hints at war. Instead, its eight dancers (four women and four men) portray unburdened, fun-loving youth with contagious optimism and self-assurance. A backdrop as gloriously blue as a summer sky intensifies the bright colors of the men’s shirts (with which they wear black, skintight pants and white socks) and the girls’ short dresses. Of course, they wear ponytails. The American way of living that they represent reminds me of Continue reading “Enlightening”

Flimsy

“Marie Antoinette”
Vienna State Ballet & Volksoper Wien
Volksoper Wien
Vienna, Austria
December 20, 2025

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. E.Bottaro (Marie Antoinette) and A.Garcia Torres (Ludwig XVI), “Marie Antoinette” by T.Malandain, Vienna State Ballet 2025 © Vienna State Ballet/A.Taylor2. R.Horner (Queen Mother), “Marie Antoinette” by T.Malandain, Vienna State Ballet 2025 © Vienna State Ballet/A.TaylorThierry Malandain’s Marie Antoinette was the Vienna State Ballet’s second premiere under Alessandra Ferri’s directorship. The one-act piece, created for the Malandain Ballet Biarritz, received its premiere in 2019 at the Palace of Versailles’s Opéra Royal. Its stage was inaugurated in 1770 during Marie Antoinette’s lavish wedding to Louis Auguste, heir to the throne.
Marie Antoinette follows the life of the then only fourteen-year-old Dauphine of France until her execution by guillotine in 1793. That’s twenty-three years of life (nineteen of which Marie Antoinette was Queen consort) to narrate. But Malandain tells little, and the ninety minutes of Marie Antoinette dragged on. Continue reading “Flimsy”