Tag Archive: Mathias Deneux

Fighting Evil

“The Sun, the Moon and the Wind”
Czech National Ballet
The Estates Theatre
Prague, Czech Republic
October 10, 2024 (matinee)

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. P.Holeček (Triglav), “The Sun, the Moon and the Wind” by V.Konvalinka and Š.Benyovszký, Czech National Ballet 2024 © S.Gherciu “It has been written that the shrewdest thing Evil can do is to trick us into believing that it does not exist,” warned Štěpán Benyovszký who, together with Viktor Konvalinka, wrote the libretto and directed the Czech National Ballet’s new ballet, The Sun, the Moon and the Wind. It is based on a fairy tale that was first recorded in 1845 in the Czech Collection National Tales and Legends by Božena Němcová who later incorporated elements of Slavik versions. Although the ballet is meant to attract a young audience, it is entertaining for adults as well.

Benyovszký’s and Konvalinka’s adaption tells of the star of creation that illuminated primeval darkness. It split into four parts from which the sun, the moon, the wind, and Zora, the dawn princess, arose. Yet Zora’s part was stolen by Triglav, the vicious Dragon Lord of Time, who kidnapped and bewitched her. Determined to get ahold of the other three quarters of the star and thereby seize world power, Triglav regularly had to suck the souls of young men to stay young and strong. He singled out Prince Jan as a victim, but Jan’s three sisters, Rufflette, Sparkette, and Pallidette set off to rescue their brother. (more…)

Soul Food

“Coppélia”
Czech National Ballet
The State Opera
Prague, Czech Republic
May 26, 2024 (matinee)

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. M.Svobodník (Dr. Coppélius) and ensemble, “Coppélia” by R.Hydn after A.Saint-Léon and M.Petipa, Czech National Ballet 2024 © M.Divíšek Arthur Saint-Léon’s comic ballet Coppélia premiered on May 25, 1870, at the Théâtre Impérial de l’Opéra in Paris. Two months later, on July 19th, Napoleon III declared war on Prussia. The opening night featured a military dance portraying twelve Ottoman Janissaries fencing against twelve Austrian Hussars. It concluded with a ballerina holding an olive branch heralding peace. Times were anything but auspicious during the descent of the Second French Empire, but that wasn’t reflected in the ballet. To the contrary, Léo Delibes’s vibrant score infused the comedy with a buoyant joie de vivre. Might it be a stroke of fate that now of all times, as the political landscape darkens with mind-boggling speed and social cohesion is worn down (at least in my home country, Germany), the Czech National Ballet premiered Coppélia? The Prague audience’s warm reception proved that the ballet still conveys what people are yearning for in times of crisis: togetherness, good humor, generosity, and a romance with a happy ending. (more…)

Uplifting

“The Sleeping Beauty”
Czech National Ballet
The National Theatre
Prague, Czech Republic
April 29, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1.A.Fujii (Fairy of Wisdom), A.Pera (Fairy of Grace), E.V.Gonzales (Fairy of Force), R.Zvonařová (Lilac Fairy), M.Hejduková (Fairy of Beauty), K.Němečková (Fairy of Eloquence), P.Holeček (Carabosse), and ensemble, “The Sleeping Beauty” by M.Haydée after M.Petipa, Czech National Ballet 2021 © S.Gherciu It is nearly impossible to mount a three-act full-ensemble classic in the midst of a pandemic – or at least it has been for many companies. That the Czech National Ballet accomplished this feat feels like a harbinger of better times to come. Last Thursday, on World Dance Day, they premiered “The Sleeping Beauty” on their YouTube channel. The video will be online until May 5th. (more…)

Let Heads Roll

“The Last Supper”
DEKKADANCERS
The New Stage
Prague, Czech Republic
January 28, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. Š.Pechar, M.Deneux and M.Lanoue, “The Last Supper” by Š.Pechar, O.Vinklát and M.Svobodník, DEKKADANCERS © M.Hančovský  Two French chefs (Morgane Lanoue and Mathias Deneux) were already preparing “The Last Supper” onstage when the audience took its seats. Wearing pristine white chef’s hats and red and blue shoes respectively, they were on the hunt for a bluebottle that hummed obtrusively around the blocky table and marred the cozy bar music played by a little band in the back. But using a kitchen trowel as swatter wasn’t productive. While the guests arrived and gathered around the huge table center stage, the fly buzzed towards a safe place. The table, made of several smaller blocks, was plastered with pages of the international press, which later, when the parts were separated, revealed huge red blood stains splashed across the newspaper. This was certainly not a Christian meal… (more…)