Someone is in Control

“Master and Margarita”
Bolshoi Ballet
Bolshoi Theatre (New Stage)
Moscow, Russia
February 18/19, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. I.Tsvirko (Master) and M.Vinogradova (Margarita), “Master and Margarita” by E.Clug, Bolshoi Ballet 2026 © Bolshoi Theatre/D.YusupovAround two years ago, I saw Edward Clug’s ballet adaptation of Mikhail Bulgakov’s novel The Master and Margarita at the Bolshoi Theatre and found it fabulous. Last week’s two performances corroborated my impression. They also reminded me that, however chaotic the world might get, there’s no need to worry; someone is in control. In Clug’s version, it’s the Satan alias Woland and his accomplices. That hell and heaven commonly coordinate their actions went by the board.

Bulgakov intertwined two storylines (one deals with the absurd mayhem caused by Woland and his entourage on a 1930 visit to Moscow, the other is an eyewitness account of the trial of Jesus of Nazareth under Pontius Pilate’s governance), which are connected by the Master (an unrecognized Muskovit author, i.e., Bulgakov’s alter ego) and his muse, Margarita. Continue reading “Someone is in Control”

The Hub

“The Nutcracker”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
December 31, 2024 (live stream)

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. E.Kokoreva (Marie) and ensemble, “The Nutcracker” by Y.Grigorovich, Bolshoi Ballet 2024 © Bolshoi Ballet/D.Yusupov2. A.Ovcharenko (Nutcracker Prince), “The Nutcracker” by Y.Grigorovich, Bolshoi Ballet 2024 © Bolshoi Ballet/D.Yusupov During this year’s Christmas sermon, my pastor asked which moment should best represent Christmas. The Christmas dinner? The lighting of the candles? Or, perhaps, unwrapping the presents? For me, this moment was the moment during the Bolshoi Ballet’s performance of The Nutcracker when the newlywed Marie (Elizaveta Kokoreva) and the Nutcracker Prince (Artem Ovcharenko) were lifted by their court toward the star at the top of the Christmas tree. It was the climax of their spiritual journey and of Yuri Grigorovich’s choreography for which I had been waiting since I last saw his Nutcracker live in Moscow in 2022.

Two live streams on December 30th (evening performance) and December 31st (matinee) enabled a vast audience to follow the heroes’ journey. To meet the demand, the number of cinemas offering live broadcasts grew from one hundred to three hundred in December. Most were located in Russia, but cinemas in Belarus, Armenia, and the United Arab Emirates also participated. I was able to watch the matinee on the Bolshoi’s vk video platform. Continue reading “The Hub”