Recovery

“The Nutcracker. Not a Fairy Tale”
Ballet Moscow
Novaya Opera Theatre
Moscow, Russia
February 20, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. D.Komlyakova (Clara), M.Isakov (Nathaniel as an adult), and ensemble, “The Nutcracker. Not a Fairy Tale” by P.Glukhov, Ballet Moscow 2026 © Novaya Opera Theatre/B.Annadurdyev The premiere of a new Nutcracker in late February sounded uncommon to my Western ears until I noticed the still festive decorations of Moscow’s streets and the growing piles of snow lining them. Snow also fell in Pavel Glukhov’s The Nutcracker. Not a Fairy Tale and much more fiercely than outside, as if to herald his version’s chilling content, the First World War. Told with warmth and ending happily, Glukhov’s Nutcracker has characteristics of a fairy tale but is recommended for children aged twelve and older. He choreographed it for Ballet Moscow, the home base of which is the Novaya Opera Theatre in the city center.

The story’s hero is Nathaniel, a figure E.T.A. Hoffmann created not for his The Nutcracker and the Mouse King but for his spooky The Sandman, which later served as the basis for Coppélia. A crossbreed between Coppelius, the Nutcracker, and Drosselmeyer, Glukhov’s Nathaniel is a puppet maker who specializes in wooden nutcrackers in military dress. Continue reading “Recovery”

Heavy

“Planida” (“Russian Character”/“Nerve”/“Francesca da Rimini”)
MuzArts
Maly Theatre
Moscow, Russia
February 16, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. P.Sorokin (Yegor’s comrade), A.Putintsev (Yegor Dryomov), and G.Gusev (Yegor`s comrade); “Russian Character” by P.Glukhov, MuzArts 2026 © MuzArts/B.Annadurdiev 2. A.Putintsev (Yegor Dryomov), “Russian Character” by P.Glukhov, MuzArts 2026 © MuzArts/B.AnnadurdievDue to popular demand, MuzArts’ triple bill Planida returned to the Maly Theatre this Monday. I was previously familiar only with the video production. Seeing it live opened new perspectives.
The cast of Pavel Glukhov’s Russian Character was the same; Alexei Putintsev portrayed the tanker, Yegor Dryomov; Elizaveta Kokoreva danced his bride, Katya; Ekaterina Krysanova and Mikhail Lobukhin played Yegor’s parents; and Georgy Gusev and Ivan Sorokin performed the roles of Yegor’s comrades. Continue reading “Heavy”

Traumata

“Planida” (“Russian Character”/“Nerve”/“Francesca da Rimini”)
MuzArts
Maly Theatre/Alexandrinsky Theatre
Moscow/St. Petersburg, Russia
September/November 2025 (video)

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. A.Putintsev (Yegor Dryomov), “Russian Character” by P.Glukhov, MuzArts 2026 © MuzArts/B.Annadurdiev2. A.Putintsev (Yegor Dryomov), “Russian Character” by P.Glukhov, MuzArts 2026 © MuzArts/B.Annadurdiev Tomorrow, MuzArts’ triple bill Planida returns to Moscow’s Maly Theatre where it premiered in September 2025. It combines two old pieces—Nerve by Anna Shchekleina and Francesca da Rimini by Yuri Possokhov—along with Russian Character, a then-new creation by Pavel Glukhov. As in previous productions, dancers of the Bolshoi Ballet will be on stage. Thanks to MuzArts’ executive producer, Daria Faezova, I was able to watch videos of the program recorded at the Maly Theatre and St. Petersburg’s Alexandrinsky Theatre. Continue reading “Traumata”

Lasting Icons

“Two Annas”
MuzArts
Tovstonogov Bolshoi Drama Theatre
St. Petersburg, Russia
December 2025 (video)

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

 1. P.Malikova (Anna Akhmatova), E.Sevenard (Anna Akhmatova), and D.Potaptsev (Nikolai Gumilev), “Akhmatova” by Y.Possokhov, MuzArts 2025 © Diaghilev P.S. Festival/M.Vilchuk The production company MuzArts, founded in 2014 to showcase the Bolshoi Ballet’s prima ballerina, Svetlana Zakharova, has grown into a vital force of Russia’s ballet scene. Their recent production, Two Annas, was supported by the Diaghilev P.S. International Festival of Arts, a prominent, intercultural, cross-genre event that has been held in St. Petersburg since 2009. Two Annas premiered at St. Petersburg’s Tovstonogov Bolshoi Drama Theatre this February and received its Moscow premiere at the Maly Theatre. Thanks to the MuzArts’s director, Yuri Baranov, I was able to watch a video of the production. Continue reading “Lasting Icons”