Enlightening

“American Signatures”
Vienna State Ballet & Volksoper Wien
Volksoper Wien
Vienna, Austria
May 30, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. J.Nakamura, “Interplay” by J.Robbins, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor2. G.Aime and G.Fredianelli, “Interplay” by J.Robbins, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor Of the four American choreographers included in the Vienna State Ballet’s mixed bill, American Signatures, only Jerome Robbins is well known in mainland Europe. Works by Pam Tanowitz, Lar Lubovitch, and Jessica Lang are rarely staged. Hence, I was glad to see this season’s last performance.

Robbin’s Interplay premiered in autumn 1945, shortly after World War II, as the second choreography in his oeuvre. Absolutely nothing in the piece hints at war. Instead, its eight dancers (four women and four men) portray unburdened, fun-loving youth with contagious optimism and self-assurance. A backdrop as gloriously blue as a summer sky intensifies the bright colors of the men’s shirts (with which they wear black, skintight pants and white socks) and the girls’ short dresses. Of course, they wear ponytails. The American way of living that they represent reminds me of Continue reading “Enlightening”

Congratulations

“Giselle”
Vienna State Ballet
Vienna State Opera
Vienna, Austria
April 26, 2026 (live stream)

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. L.Fernandez Gromova (Giselle) and A.Casalinho (Count Albrecht), “Giselle” by E.Tchernichova, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor2. L.Fernandez Gromova (Giselle) and A.Casalinho (Count Albrecht), “Giselle” by E.Tchernichova, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor The Vienna State Ballet’s recent live stream of Giselle was one of those precious events where everything is perfect. Choreographed for Vienna in 1993 by Elena Tchernichova, the piece is the company’s “calling card.” Additionally, perhaps due to the new artistic director, Alessandra Ferri, who passed on her experience studying with Tchernichova herself, the dancers performed especially well. “Elena Tchernichova was the person who first taught me the role of Giselle when I was just twenty-one, dancing with American Ballet Theatre alongside Mikhail Baryshnikov,” Ferri revealed. Continue reading “Congratulations”

Reborn

“Callirhoe”
Vienna State Ballet
Vienna State Opera
Vienna, Austria
October 19, 2025 (live stream)

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. M.Young (Callirhoe) and ensemble, “Callirhoe” by A.Ratmansky, Vienna State Ballet 2025 © Vienna State Ballet/A.Taylor 2. V.Caixeta (Chaireas) and ensemble, “Callirhoe” by A.Ratmansky, Vienna State Ballet 2025 © Vienna State Ballet/A.TaylorThe title of Martin Schläpfer’s farewell choreography, Pathétique, summarized the condition of the Vienna State Ballet he left behind after five years as its artistic director. His successor, Alessandra Ferri, restructured the company. Some dancers left, and others joined, some of whom were returnees. Last weekend, she presented the first premiere under her reign, Alexei Ratmansky’s Callirhoe (which he choreographed for ABT in 2020 under the title Of Love and Rage). It felt like the rebirth of the company. I cannot remember when I last saw the Vienna State Ballet perform with such force. Congratulations! Continue reading “Reborn”