Congratulations

“Giselle”
Vienna State Ballet
Vienna State Opera
Vienna, Austria
April 26, 2026 (live stream)

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. L.Fernandez Gromova (Giselle) and A.Casalinho (Count Albrecht), “Giselle” by E.Tchernichova, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor2. L.Fernandez Gromova (Giselle) and A.Casalinho (Count Albrecht), “Giselle” by E.Tchernichova, Vienna State Ballet 2026 © Vienna State Ballet/A.Taylor The Vienna State Ballet’s recent live stream of Giselle was one of those precious events where everything is perfect. Choreographed for Vienna in 1993 by Elena Tchernichova, the piece is the company’s “calling card.” Additionally, perhaps due to the new artistic director, Alessandra Ferri, who passed on her experience studying with Tchernichova herself, the dancers performed especially well. “Elena Tchernichova was the person who first taught me the role of Giselle when I was just twenty-one, dancing with American Ballet Theatre alongside Mikhail Baryshnikov,” Ferri revealed. Continue reading “Congratulations”

Much Ado About Nothing

“Impressing the Czar”
Semperoper Ballet
Semperoper
Dresden, Germany
May 25, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. Ensemble, “Impressing the Czar” by W.Forsythe: “Potemkin's Signature”, Semperoper Ballet Dresden © I.Whalen 2015William Forsythe’s “Impressing the Czar” is the Semperoper Ballet’s second premiere this season. It testifies to the company’s strong ties with the choreographer, reinforcing the relationship. After the closure of Forsythe’s own company, Ballet Frankfurt, in 2004, where “Impressing the Czar” had received its premiere in January 1988, only the Royal Ballet of Flanders and now the Semperoper Ballet are allowed to perform it. In the program notes Forsythe emphasized his intense, confidence-building collaboration with the Dresden company. At the moment it is the only one dancing his earlier works in a true and faithful manner.

Hence the prospects were bright that the evening would be exceptional and, as the title implies, really impressive. Continue reading “Much Ado About Nothing”